Mirch was watchable. A hazard of short stories is that they are episodic, specially when they are one after the other. Identification with a character for a sustained period of time becomes difficult. The stories from Panchatantra and Decameron were folk tale like in nature. Would be tough to incorporate the superstitious attitudes the twists in them hinged on, in modern stories. Unless, of course, magic realism was used. The third story’s denouement seemed a little weak logically. I liked the last story’s comic elements which Boman Irani personified. Women viewers would naturally like the agency taken by the protagonists in all the stories. They all revolved around verbal dexterity rather than brute strength, thereby confirming another stereotype. Still, even considered as tales by themselves, they were fun. That’s what going to the movies is about at the end of the day.

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